MICHAEL NEEDHAM - visual artist
  • Home
  • art
    • Melancanny (2022)
    • Monument to Muther [sic] (2020)
    • Gnasher Mongrel
    • Through the Pines (Cryptal Reverb) (2018)
    • Inter-stelae, 2017
    • In Defense of Optimism
    • Selected Drawings
    • Projects 2016-2017
    • Landscape with Grave
    • This Side of Uncertainty (2015)
    • Propositional Enshrinement (2015)
    • In Remembrance (2014)
    • Rome Residency (2012)
    • Between the Object and the Shadow (2012)
    • Long Shadowed Land (2012)
    • "The intolerable other that I crave to destroy so as to better possess it alive" (2011)
    • Projects (2011-2013)
    • Musings from Halicarnassus (2011)
    • Curious Duality (2011) and Contours of the Self (2010)
    • Incarnate (2005-2009)
  • news
  • text
  • contact
  • CV
MICHAEL NEEDHAM - visual artist
  • Home
  • art
    • Melancanny (2022)
    • Monument to Muther [sic] (2020)
    • Gnasher Mongrel
    • Through the Pines (Cryptal Reverb) (2018)
    • Inter-stelae, 2017
    • In Defense of Optimism
    • Selected Drawings
    • Projects 2016-2017
    • Landscape with Grave
    • This Side of Uncertainty (2015)
    • Propositional Enshrinement (2015)
    • In Remembrance (2014)
    • Rome Residency (2012)
    • Between the Object and the Shadow (2012)
    • Long Shadowed Land (2012)
    • "The intolerable other that I crave to destroy so as to better possess it alive" (2011)
    • Projects (2011-2013)
    • Musings from Halicarnassus (2011)
    • Curious Duality (2011) and Contours of the Self (2010)
    • Incarnate (2005-2009)
  • news
  • text
  • contact
  • CV
© MICHAEL NEEDHAM 2022 - I acknowledge the Taungurung people as the traditional owners of the land on which I live and work and pay my respects to elders past, present and emerging.
Website by OtherPeoplesPixels

art

Melancanny (2022)
Melancanny (2022)
Melancanny (2022)
Monument to Muther [sic] (2020)
Monument to Muther [sic] (2020)
Monument to Muther [sic] (2020)
Gnasher Mongrel (2019)
Gnasher Mongrel (2019)
Gnasher Mongrel (2019)
Through the Pines (Cryptal Reverb) (2018)
Through the Pines (Cryptal Reverb) (2018)
Through the Pines (Cryptal Reverb) (2018)
Inter-stelae (2017)
Inter-stelae (2017)
Inter-stelae (2017)
In Defense of Optimism (2017)
In Defense of Optimism (2017)
In Defense of Optimism (2017)
Selected Drawings
Selected Drawings
Selected Drawings
Projects 2016-2017
Projects 2016-2017
Projects 2016-2017
Landscape with Grave: Inherited Loss and Representation (2016)
Landscape with Grave: Inherited Loss and Representation (2016)
Landscape with Grave: Inherited Loss and Representation (2016)
This Side of Uncertainty (2015)
This Side of Uncertainty (2015)
This Side of Uncertainty (2015)
Propositional Enshrinement (2015)
Propositional Enshrinement (2015)
Propositional Enshrinement (2015)
In Remembrance (2014)
In Remembrance (2014)
In Remembrance (2014)
Rome Residency (2012)
Rome Residency (2012)
Rome Residency (2012)
Between the Object and the Shadow (2012)
Exhibition at |http://www.dainesinger.com|Daine Singer|
Between the Object and the Shadow (2012)
Long Shadowed Land (2012)
Long Shadowed Land (2012)
Long Shadowed Land (2012)
"The intolerable other that I crave to destroy so as to better possess it alive" (2011)
"The intolerable other that I crave to destroy so as to better possess it alive" (2011)
"The intolerable other that I crave to destroy so as to better possess it alive" (2011)
Projects (2011-2013)
Projects (2011-2013)
Projects (2011-2013)
Musings from Halicarnassus (2011)
Musings from Halicarnassus (2011)
Musings from Halicarnassus (2011)
Curious Duality (2011) and Contours of the Self (2010)
Curious Duality (2011) and Contours of the Self (2010)
Curious Duality (2011) and Contours of the Self (2010)
Incarnate (2005-2009)
Incarnate (2005-2009)
Incarnate (2005-2009)
© MICHAEL NEEDHAM 2022 - I acknowledge the Taungurung people as the traditional owners of the land on which I live and work and pay my respects to elders past, present and emerging.
Website by OtherPeoplesPixels