MICHAEL NEEDHAM - visual artist
  • Home
  • art
    • Melancanny (2022)
    • Monument to Muther [sic] (2020)
    • Gnasher Mongrel
    • Through the Pines (Cryptal Reverb) (2018)
    • Inter-stelae, 2017
    • In Defense of Optimism
    • Selected Drawings
    • Projects 2016-2017
    • Landscape with Grave
    • This Side of Uncertainty (2015)
    • Propositional Enshrinement (2015)
    • In Remembrance (2014)
    • Rome Residency (2012)
    • Between the Object and the Shadow (2012)
    • Long Shadowed Land (2012)
    • "The intolerable other that I crave to destroy so as to better possess it alive" (2011)
    • Projects (2011-2013)
    • Musings from Halicarnassus (2011)
    • Curious Duality (2011) and Contours of the Self (2010)
    • Incarnate (2005-2009)
  • news
  • text
  • contact
  • CV
MICHAEL NEEDHAM - visual artist
  • Home
  • art
    • Melancanny (2022)
    • Monument to Muther [sic] (2020)
    • Gnasher Mongrel
    • Through the Pines (Cryptal Reverb) (2018)
    • Inter-stelae, 2017
    • In Defense of Optimism
    • Selected Drawings
    • Projects 2016-2017
    • Landscape with Grave
    • This Side of Uncertainty (2015)
    • Propositional Enshrinement (2015)
    • In Remembrance (2014)
    • Rome Residency (2012)
    • Between the Object and the Shadow (2012)
    • Long Shadowed Land (2012)
    • "The intolerable other that I crave to destroy so as to better possess it alive" (2011)
    • Projects (2011-2013)
    • Musings from Halicarnassus (2011)
    • Curious Duality (2011) and Contours of the Self (2010)
    • Incarnate (2005-2009)
  • news
  • text
  • contact
  • CV
© MICHAEL NEEDHAM 2022 - I acknowledge the Taungurung people as the traditional owners of the land on which I live and work and pay my respects to elders past, present and emerging.
Website by OtherPeoplesPixels

  • Melancanny ebook (2022)

    PDF document 2.1mb

  • One foot on the ground - Exhibition Catalogue (2020)

    PDF document (9.7mb)

  • Landscape with Grave: Inherited Loss and Representation - Exhibition catalogue, 2016, with essay by Ian McLean, intro by Domenico de Clario

    PDF document 553kb (Google docs)

  • Colonial Visions: Melancholy Landscapes for the Living and the Dead - Paper for Landscape, Wilderness and the Wild (Newcastle, UK), Michael Needham, 2015

    PDF document 1.1mb (Google docs)

  • Mirrored Corporeality, 2013 - essay for Time, Space and the Body (Sydney 2013), Michael Needham

    PDF document 510kb (Google docs)

  • Between the Object and the Shadow, 2012 - exhibition essay by Kent Wilson

    PDF document 37kb (Google docs)

  • Michael Needham - Long Shadowed Land, 2012, review by Kent Wilson

    Das Platforms: Emerging and Contemporary Art

  • 'The Colour in Mourning', 2011, essay by Elizabeth Presa

    PDF document 70kb (Google docs)

  • Contours of the Self (exhibition catalogue) 2010, with essays by Justine Grace and Rachel Torbett

    PDF document 1Mb (Google docs)

  • INCARNATE (exhibition catalogue) 2010

    PDF document 411kb (Google docs)

  • INCARNATE: presence and vestige in contemporary art practice (full thesis), Michael Needham

    PDF document download 188Mb (Google docs)

© MICHAEL NEEDHAM 2022 - I acknowledge the Taungurung people as the traditional owners of the land on which I live and work and pay my respects to elders past, present and emerging.
Website by OtherPeoplesPixels